This parka is worn by the original camp leader and shaman Kumaglak. His
murder in the presence of the Evil Shaman, Tungajuaq, sparks the bloody feud
between Atanarjuat and Oki's families. The raven feathers sewn on the skin of
the parka indicate that the man wearing it is a shaman.
This winter nasaq (hood) was worn by Oki in the film. Made of wolf fur, the
hood has long tentacle-like strips encircling the neck, the effect of which is
to make Oki look fiercer and meaner.
This unusual parka is made of King Eider duck skin and covered in feathers.
It was worn by Atanarjuat's arch-rival, Oki, during the attack on Atanarjuat's
camp and subsequent chase across the sea ice. The parka floats in water!
Students will research the Inuit style of filmmaking and list key points involved in the process by reading selections written by the three founding members of Igloolik Isuma Productions, the makers of the films Atanarjuat – The Fast Runner and The Journals of Knud Rasmussen.… Uqalimakkanirit
Maps are orders marching men to old places already seen Maps conjure memories of spoil, of plunder and innocence Maps are journeys to illusions no one has learned from Maps are critical revisits with visions, vistas and never before seen repeats … Uqalimakkanirit
The strangers from Greenland sit in the snow house of Avva, a shaman. Avva introduces his family to the visitors. The scene is tense, with silences that are awkward or watchful. Avva puffs on his pipe.… Uqalimakkanirit
The filmmakers of The Journals of Knud Rasmussen write, 'This film asks questions among others, about vanished peoples, colonization, cultural amnesia, effaced memory, Christianization and the complete erasure of a religion - especially in the absence of a literary tradition in most Aboriginal oral cultures.' … Uqalimakkanirit
