Born in 1946 in New York, Norman Cohn travelled to Igloolik in 1985 to meet Zacharias Kunuk and Paul Apak after seeing videos they had made while working for the Inuit Broadcasting Corporation. In 1990, assisted by a Guggenheim Fellowship, Cohn moved to Igloolik, where, with Kunuk, Apak and Pauloosie Qulitalik, he co-founded Igloolik Isuma Productions, and helped develop Isuma’s style of “re-lived” cultural drama by adapting the authenticity of video observation to the art of Inuit storytelling. Cohn’s experimental video work began in 1970 in the U.S.; he immigrated to Canada in 1976 and became a Canadian citizen in 1981. In 1983, Cohn’s exhibition of 16 videos, Norman Cohn: Portraits, opened at the Art Gallery of Ontario, the National Gallery of Canada, Vancouver Art Gallery, Musée d’art contemporain de Montreal and 49th Parallel Gallery in New York. In 1987, his experimental non-fiction feature Quartet for Deafblind was shown at Documenta 8. In 2019, Norman Cohn (with Zacharias Kunuk) represented Canada at the 58th Venice Biennale.