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VISTAS - LITTLE THUNDER/VISTAS - PETIT TONNERRE

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Synopsis: This animated short, inspired by the Mi'kmaq legend, "The Stone Canoe" explores aboriginal humour. We follow Little Thunder as he reluctantly leaves his family and sets out on a cross-country canoe trip to become a man.

Court métrage d'animation inspiré de la légende micmaque, Petit Tonnerre examine l'humour autochtone. Nous suivons Little Thunder qui, à contrecoeur, quitte sa famille pour entreprendre un long voyage en canot qui fera de lui un homme.

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Synopsis: This animated short, inspired by the Mi'kmaq legend, "The Stone Canoe" explores aboriginal humour. We follow Little Thunder as he reluctantly leaves his family and sets out on a cross-country canoe trip to become a man.

Court métrage d'animation inspiré de la légende micmaque, Petit Tonnerre examine l'humour autochtone. Nous suivons Little Thunder qui, à contrecoeur, quitte sa famille pour entreprendre un long voyage en canot qui fera de lui un homme.

Filmmaker: Nance Ackerman, Alan Syliboy

Contact: National Film Board of Canada and APTN/L'Office national du film du Canada et APTN

Producer: Nance Ackerman, Alan Syliboy

Year of Production: 2009

Distributor Information: National Film Board of Canada and APTN/L'Office national du film du Canada et APTN

Country: Canada

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Comments

Anonymous's picture
Thank you for this wonderful indremer. I find if I spend time each day doing things that bring me great joy, (such as working in my pottery studio), I have an abundance of energy to apply to those tasks that seem mundane at first glance – like housekeeping, for instance. The less desirable tasks actually serve as a structure of support without taking care of my household, chaos abounds and creative productivity falls by the wayside. I also look at the more mindless chores as a time to incubate ideas that I can put into practice once I get back into the studio. In this light, I find a thread of joy in (most) everything I do.
Anonymous's picture

the video that plays is by Jerry Evans and not Nance Akerman

Anonymous's picture
I met Robin Phillips in summer 1971 in Chichester, where he was iedrcting Caesar and Cleopatra with John Clement and Anna Calder-Marshall. I was visiting a friend who was working in wardrobe and Phillips came in asking us to sing him nursery rhymes; he wanted Cleopatra to be singing one when Caesar came upon her.I re-met him in Vancouver in '82 when Phillips was playing in The Dresser at the Vancouver Playhouse. I was the subject (with Phillips) of a newspaper interview; I had dressed Tom Courtney (who played The Dresser in film) when I had worked years before in London, and the writer saw synchronicity there and set up the article.Three years later, I was the theatre critic at that same newspaper, The Province, yet I never forgot my initial meeting with Phillips, his lack of self-celebrity, his commitment to giving his actor every detail to create her character. I learned to look at a director's work through that short but perfect experience.

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