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DonaldMorin's picture

by DonaldMorin

10 October 2017


DAMT5K HAWAIIAN SOVEREIGNTY, INDIGENOUS RESISTANCE AKA LEFTY REVOLUTIONS is a film which shares the journey of HOWARD STOVONICH, WILLY FRENCHEATER, LATE JAMES NICHOLAS, JOHN STEWART and a cast of many more. Howard directed to find and track Willy Frencheater, arrives to Honolulu ready to turn up every rock, every cranny on the island to fins this man, track, him and gather evidence to nail him on the cross. Frencheater on his search for Indigenous Justice, finds him at lost in the anger, hate and cultural and political struggle of Indigenous People in Hawaii and Canada, as the system continually encroaches on territory, traditional cultures and migratory patterns of the peoples food sources, self-sufficiency and all that is part of the garden. Finding out about the Hudson Bay Company, decision to hire Hawaiian and Coast Salish people during the Modernist period initiates his former Commitment to Late JAMES NICHOAS to initiate the language of blood through acts of provocation, terrorism, and urban street wars with a police state during the on-going struggle. Frencheater receives permission to shoot a major rally in Hawaii, he starts his language of blood moment through manifestos and indigenous community support building allies and enemies alike. Global cultural practice, tribal custom usage puts him on the map of the Echelon all seeing eye and young Howard is picked to go to Hawaii instead of head AGENT MOIRA STEVENS. Everything is turned upside down when EVANGELIST JOHN STEWART is directed by God to find Willy, and help save his soul and the people. HOWARD breaks into FRENCHEATER's place in the Ilikai Hotel and takes everything in the suite, looks outside and sees the regalia laughs. Willy's net is open and he sees Willy’s Video ON Standing Rock and, clicks and hears a native  woman . WOMAN's warm inviting soft words and songs breaks his heart inside. He is moved, when he hears Frencheater is on his way up. Howard leaves quickly with everything, except the computer thru bath elevator. Howard caught between government loyalty and cultural rebirth. Big Money brings this story to an end when he forgoes traditional history for the systemic positioning of idolatry and economic success to help capture Willy and fill the super jails with all the modern heathens and infidels. Frencheater as transformed from the maniacal to the gracious, from the angry Indian to the servant of the most high. Film ends with HOWARD contacted by a WOMAN (YOUNG ALISHA YOUNG WILLIAMS) who is associated with FRENCHEATER’s work. She is a tribal member determined to take over Frencheater original intent of creating collateral damage to all the four races, so the dark lord can maintain his domain. HOWARD wants to met her to expose the propaganda myth created by his bosses agency to discredit FRENCHEATER. YOUNG WILLIAMS, adopted did not see Frencheater’s side of grace, peace, and love, even though he went through the inter- generational abuse, cultural genocide and the lack of love. They agree to met. CREDITS ROLL.

DAY 5 of DAMT5K, HAWAIIAN SOVEREIGNTY AKA LEFTY REVOLUTIONS: PRODUCTIONS STILLS OF Locations, Blues screen patches, the great Evangelist John Stewart, introducing Actor BRADLEY FEHR and other filming moments. PRODUCTION STILLS AND PRINCIPAL PHOTOGRAPHY Skills; Donald Morin DIANE FEHR and BRADLEY FEHR 

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9m 38s



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